The New York Times Magazine | April 1, 2018
The Floating World
Persecuted on land, members of Cambodia’s ethnic Vietnamese minority take shelter in improvised villages spread across the surface of the Mekong River’s waterways.
[Read in The New York Times]
[The New York Times International Edition, Page A1]
Harper's Magazine | October 2017
States of Decay
Winner, 2018 Western Writers of America Spur Award, Best Short Nonfiction
Last September, I rented a midsize car for a two-week trip across the Colorado Plateau. I wanted to visit what was left of our country’s brief atomic romance.
[Read in Harper's]
VQR | Spring 2017
The Useful Village
Finalist, 2018 National Magazine Award (Feature Writing)
Citation Winner, 2018 Ed Cunningham Award, Overseas Press Club of America
Winner, 2017 Staige D. Blackford Prize for Nonfiction, Virginia Quarterly Review
In the fall of 2015, Germany designated Sumte, population 102, as a sanctuary for nearly 800 refugees. What followed was a living experiment in the country’s principles.
[Read in VQR]
[Read abridged version in The Guardian]
Granta Magazine | Issue 140 | Online
Hallelujah! A Brief History of Bombing People
Bombing has always functioned as a weapon one class or race uses enthusiastically against another, and only rarely against its own – and then always accompanied by extravagant performances of remorse.
[Read in Granta]
The London Review of Books | Vol. 38 No. 18
Diary (On an Arson Epidemic)
As towns across Germany have accepted their federal allocation of asylum seekers, administrators have fashioned shelters out of disused factories, motels and parish houses, usually on the outskirts of town. At the moment, someone tries to burn one of these improvised hostels to the ground every two to three days.
[Read in LRB]
VICE Magazine | Vol. 22 No. 11 | November 2015
The Ballad of Murder Eyez: In Syria with Germany's Refugee Rapper
In peacetime, Abdul Rahman Masri became one of Syria's most celebrated rappers. Now a refugee in Germany, he's determined to speak for his home nation's lost generation.
[Read in VICE]
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